The BSC has had an extraordinary year. Back in January things were still tough but in October 2009 we had turned the corner and were fighting back against the recession. It's interesting being an unfunded company in the midsts of a downturn - every ticket counts!

As the year progressed it got more and more exciting. TWELFTH NIGHT was a dream as it travelled around Syria and the UAE; GEORGE'S MARVELLOUS MEDICINE continued it's extraordinary run around Britain and is about to arrive in London; HORRIBLE SCIENCE did the impossible and actually made science fun; THE FIREWORK-MAKER'S DAUGHTER followed and is flaming amazement on the audience in Birmingham - a real show of the imagination; the long-awaited production of BAGPUSS opens in a week at Soho Theatre, and HORRIBLE HISTORIES beckons with a new Ruthless Romans script by Ciaran McConville; the cast of SKELLIG are starting to receive their visa's from the US Embassy for the trip to New York and THE JUNGLE BOOK starts rehearsing the morning we get back. Meanwhile....a secret new project is about to be launched in January....!

Nine productions, with the same creative team creating wonders, plus new faces adding to the magic.

All of it financed by you, the great British public - and our friends in the UAE who love Shakespeare. We make a good team!

Here's someone else who had something interesting to say. This had a huge influence on me when I read it in my early 20's. And nothing has been more true.

"Until one is committed, there is hesitance, the chance to draw back, always ineffectiveness. Concerning all acts of initiative and creation, there is one elementary truth, the ignorance of whichs kills countless ideas and splendid plans - that the moment one commits oneself - then providence moves too. A whole stream of events issues from the decision, raising in one's favour all manner of unforeseen incidents and meetings and material assistance which no man could have dreamed would have come his way.

Whatever you can do, or dream you can do, begin it. Boldness has genius, power and magic in it. Begin it now."

Back in the early 90's I interviewed some well known actors to help raise money for the BSC. One of them was Peter O'Toole. Here's something interesting he had to say:

O'Toole: "I know it's a risky business. If you can do it, you're all right because when the jobs don't come - and they often don't - it's still alright. It's the poor buggers who can't do it who suffer. They don't know what's wrong, they can't solve the problems, their lives are a misery. The chief problem for most actors is that only a dozen can really do it."

Me: "You are among that dozen?"

O'Toole: "Yes. I use 'a dozen' figuratively. A very small minority. So when I don't get work, I go home and read a book and I'm alright because I know that I can do it."

Climb every mountain
Forge every stream
Follow every rainbow
Till you find you're knackered

The reaction we are getting to THE FIREWORK-MAKER'S DAUGHTER from the schools that have seen the show this week is unlike anything I have ever seen in eighteen years of producing theatre for children.

And the teachers are almost speechless.

The cast and creative team of this production have produced something truly special.

Do whatever you can to see this show - it has quite the most extraordinary effect on the human soul.

When I was given the role of Ronald Cave and three smaller parts in ONE NIGHT IN NOVEMBER at the Coventry Belgrade I began to wonder during rehearsals if I could disguise myself in the smaller roles without using any facial disguise, just using my voice and a different energy.

One character would be easy - he wears a gas mask! The final character is very similar to my main role and difficult to differentiate without it becoming caricature. But could the local policeman be the one...?

It involves a quick change of costume so no time for anything fancy, but I persuaded the designer to let me paint on a thin moustache - he was doubtful it would would work but no-one can see it's not real - when I tried it in the rehearsal room people thought I hadn't shaved. Most importantly, during the third performance it dawned on me I could make this policeman a lot younger than Ronald Cave and more frightened.

I was also fortunate that the policeman appears almost immediately after Cave has just walked off. Suddenly there's a new character which the audience haven't seen before - a local Coventry policeman.

Then to complete the challenge, in the final part of the scene when I am looking in horror at the burning city in front of me, I walk right to the front of the stage and stare straight into one of the lights - face front-on and fully lit.

To date, two of my closest friends have watched the scene without realising it was me - and I asked my Dad at the weekend what he thought of the policeman....."Who played him?" he asked.....!

The joy of sweet success!

We like receiving emails like this on Monday mornings....!

I just felt I must tell you how wonderful the performance of George's Marvellous Medicine was at the Wyvern theatre in Swindon on Saturday evening. I have, over the years seen many children's shows and this show was absolutely amazing. It kept everyone engrossed from the first to the last minute. The cast were fantastic and everyone (even Dads and teenagers!) in the audience participate where requested, proving it was a show with universal appeal. A great evenings entertainment.
Susan Bushnell

Well done to the extraordinary cast who have been performing this show since October 2009 - with the wonderul new addition of Richard Mullins as Dad!